Space as a promenade; A Critique of Spatial Quality in Fluid Architecture of Contemporary Iranian Commercial Centers (Case Study: Four Commercial Buildings, Tehran)

Document Type : Scientific Research

Author

Assistant Professor, Department of Architecture, Qazvin Branch, Islamic Azad University, Qazvin, Iran

Abstract

Research Problem: The openness of space, visibility and legibility of interior spaces are the most important conditions for the design of commercial buildings, and in this regard, the fluid design of form and space in contemporary architecture is more in line with such use. From the beginning of the twentieth century, the continuity and visual and physical continuity of space occurred in the idea of "promenade architecture" and gradually, with the advancement of technology, it took the path of excellence.
Research Question: Research questions about the quality of fluid space in these four buildings are designed and lead to measures of the quality of interior space in the structure of contemporary commercial buildings: What physical elements and spatial structures did each of the four commercial buildings under study use, and how did they use them to create the fluidity of space? What are the differences and similarities between the promenade architecture in these four buildings?
Research Purposes: Relying on the importance of addressing this feature in the interaction and shopping functions, the purpose of this study is to assess how this feature appears in the physical elements and structure of contemporary commercial spaces in Iran and in this way emphasizes the factors involved in the promenade architecture idea.
Research Method: Based on this, the present study investigates the issue in four contemporary commercial centers of Tehran (Arg Tajrish, Charso, Sam Pasdaran and Ava) and compares and critiques the spatial quality in the realization of this principle. It has used the space syntax technique to advance the analysis and drawing and interpreting diagrams and UCL Depthmap and Agraph software. Four promenade architectural features were inferred through a descriptive analytical method by reviewing the research literature. the analysis process after reviewing and selecting the relevant indicators in the space syntax theory, was followed by comparative and logical reasoning. Thus, using the output of indicators such as integration, relative symmetry, depth and connection, Axial analysis and Isovist, the subject of Promenade architecture in four subgroups: "dynamics-continuity-integrity", "axis-end-sequence", "staging-Chain-integrity" and "fluidity-openness-totality" were evaluated in the study buildings.
The Most Important Results and Conclusion: The results showed that various measures are effective in creating formal / spatial fluidity and words representing the promenade architecture. How these words are expressed in the study buildings reveals differences and similarities that recognizing their positive and negative results will help to correct the function and space design of contemporary designs.

Graphical Abstract

Space as a promenade; A Critique of Spatial Quality in Fluid Architecture of Contemporary Iranian Commercial Centers (Case Study: Four Commercial Buildings, Tehran)

Keywords

Main Subjects


احمدی، زهرا، و حبیب، فرح. 1398. مفهوم خالی و جایگاه معنایی آن در معماری اسلامی (نمونه مطالعاتی خانه‌های تاریخی یزد). پژوهش‌های معماری اسلامی، 7(25): 154-137.  
باستان فرد، متین، و هدایت نظری، فؤاد. 1393. فرامعماری (معماری در هزاره سوم) / بخش سوم: گونه‌های معماری در فراتر از معماری. طراح. 9: 127-120.
بوکل، بن ون، و کارولین باس. 1388. معماری سیال. فصلنامه معماری و شهرسازی. 98-97: 65-62.
چرم فروش، سمانه. 1389. معماری سیال. ماهنامه راه و ساختمان. 73: 63-56.
دری، علی و طلیسچی، غلامرضا. 1396. تبیین شفافیت ساختار فضایی معماری ایران در دوره صفویه مطالعه موردی: کوشک هشت‌بهشت و مسجد امام اصفهان. مطالعات شهر ایرانی اسلامی. 7(27): 50-41.
قوچانی، محیا و تاجی، محمد. 1397. مطالعه نقش فضای باز و الگوی پر و خالی خانه و مسجد در معماری سنتی و بازآفرینی آن در معاصر ایران. مطالعات محیطی هفت حصار. 7(26): 102-89.
کیانی، مصطفی؛ بهجو، اشکان و راسیتان طهرانی، نوشین. 1394. تداوم فضایی در معماری معاصر ایران. بررسی میزان تأثیرپذیری معماری معاصر ایران از معماری غرب و معماری ایران. نقش جهان. 5(3): 67-52.
گلستانی، سعید؛ حجت، عیسی و سعدوندی، مهدی. 1396. جستاری در مفهوم پیوستگی فضا و روند تحولات آن در مساجد ایران. هنرهای زیبا. 22(4): 44-29.
گیدیون، زیگفرید. 1399. فضا، زمان و معماری. ترجمه منوچهر مزینی. تهران: علمی و فرهنگی.
محمدی، عرفان، باغجقاز، نیما، و سیامک سیلوایه. 1397. تأثیر هندسه سوپرماتیست بر الگوهای معماری زاها حدید، معماری‌شناسی. 1(1): 29-37.
Abdullah, Amatalraof. 2013. Zaha Hadid Form Making Strategies for Design. A thesis submitted in fulfillment of the requirements for the award of the degree of Master of Architecture. Faculty of Built Environment. University of Technology Malaysia.
Baker, Geoffrey. 1992. "James Stirling and the promenade architecturale" in The Architectural Review. 72-75.
Birksted, Jan Kenneth. 2006. Beyond the clichés of the hand-books: Le Corbusier's architectural promenade. The Journal of Architecture. 11(1): 55-132.
Emmer, Michele. 2015. A Topological Fluid Architecture. In Imagine Math3, Between Culture and Mathematics. Springer. 159-177.
Frampton, K. 2015. A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form. Zürich: Lars Müller Publishers: 59-69.
Gibson, James J. 2014. The Ecological Approach to Visual Perception. Classic Edition (Psychology Press & Routledge Classic Editions). New York: Psychology Press.
Haq, S. U. 2001. Complex Architectural Setting: an investigation of spatial and cognitive variable through way finding behavior, Doctoral Dissertation, Atlanta: Georgia Institute of Technology.
Hillier, Bill, and J. Hanson. 1987. The Social Logic of Space. Cambridge: Cambridge University Press.
Hillier, B., L. Vaughan. 2007. The City as One Thing. Progress in Planning, 67(3).
Hine, Thomas. 1994. "Ramps give a slant on design" in Philadelphia Inquirer. Dec. 11, sec. N: 1.
Jencks, Charles. 1995. The Architecture of the Jumping Universe. New York: St. Martin's Press.
Jencks, Charles. 2002. The New Paradigm in Architecture: The Language of Postmodernism. Yale University Press.
Wilke, Benjamin & Koolhaas, Rem. 2021. Rem Koolhaas, OMA + AMO / Spaces for Prada. ‎ Applied Research & Design.
Joedicke, Jürgen. 1984. "The Ramp as Architectonic Promenade in Le Corbusier's Work" in Daidalus. 12: 104-108.
Lamp, Lucy. 2015. Elements of Art: Movement and Time.
Laubscher, J. 2015. Tracing the Origin of the Term Promenade Architecturale as used in Vers une Architecture, South African Journal of Art History. 30(4): 103-21.
Le Corbusier. 1939. Le Corbusier and P. Jeanneret: Oeuvre Complète 1934-1938. volume 3. Zurich: Editions H. Girsberger: 12, 158-69.
Le Corbusier. 1953. Le Corbusier: Oeuvre Complète 1946-52, volume 5. Zurich: Editions Girsberger: 24-39.
Le Corbusier. 1960. Towards a New Architecture. New York: Praeger Publishers.
Le Corbusier. 1964. Le Corbusier et Pierre Jeanneret: Oeuvre Complète 1929-1934, volume 2. Zurich: Les Éditions d’Architectures: 24-31.
Louw, Michael. 2016. The architectural promenade and the perception of time. South African Journal of Art History. 31(2): 12-33.
Montello, D. 2007. The Contribution of Space Syntax to a Comprehensive Therory of Enviromental Psychology. The 6th International Space Syntax Symposium. Istanbul. 1- 12.
Quetglas, Josep. 2004. “Promenade architecturale” in artículos de ocasión, Barcelona: Editorial Gustavo Gili.
Samuel, Flora and Jones, Peter Blundell. 2012. The making of architectural promenade: Villa Savoye and Schminke House. Architectural Research Quarterly. 16(2): 108-124. 
Spuybroek, Lars. 1999. The Cartesian Split. ANY: Architecture New York. 24: 13.
Yang, Ning. 2018. Fluidity in Space. Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Architecture.